主播老虎庙对冯正虎采访后的感言：“ 在对冯正虎录制《努力走向公民社会》话题的时候，一个突出的印象就是他的性情开朗、健谈、对思想的倾向不存遮掩。

大凡与思想活跃，意识先行，并善于对社会话题积极思辨之人士接触，我或多或少都有如此感受。他们不计小利得失，甚至于在涉及”小话题”时往往是粗线条，马马虎虎的，情绪却不同凡响地激扬，即使是天性内向之人也往往于自己的政治理想表述方面一改矜持，以至恣肆，以至汪洋。

后来对冯正虎的采访就如行云流水一般不再难度，虽然我们只是初识。”

（艾未未工作室出品）

纪录冯正虎被上海当局阻止回国后，为了抗议，滞留日本东京机场92天，最终回国成功的­经过。

A documentary about the astonishing experience of Feng Zhenghu, a Chinese citizen who stayed for 92 days in airport Tokyo, Japan, to protest against Chinese government that stopped Feng from coming back to his hometown Shanghai.

He’s been compared to the Tom Hanks character in “The Terminal” by news media the world over, but Feng Zhenghu had never heard of the Hollywood blockbuster until a supporter recently brought him a portable DVD player and a copy of the 2004 Steven Spielberg movie.

“I feel my life is a lot harder than the character’s,” the 55-year-old Chinese human rights activist tells CBS News. “The movie is a romantic comedy, and my story is more of a tragedy.”

Since Nov. 4, Feng has been an unusual fixture at the bustling Narita International Airport outside Tokyo. While the Hanks character became trapped at a JFK terminal when his native country was wiped off the map following a coup, Feng is a Chinese citizen with a valid Japanese visa. He refuses to pass through immigration checkpoints to enter Japan for a simple reason — he wants to go home.

But the Chinese government has blocked his path since mid-June. Airlines in Japan – including U.S.-based Northwest Airlines – denied him boarding four separate times, citing orders from Chinese authorities. On four other instances, he made it as far as Pudong International Airport in Shanghai – only to be sent back to Tokyo in increasingly forceful manners. After the last round of tussles, Feng put his foot down and began camping out at Narita.

“I want to wake up the Chinese government’s respect for human rights through my physical suffering and personal humiliation,” explains the Shanghai-based economist turned human rights author and blogger. “But I also want to tell more people that we have to fight for our own rights.”

Every day, thousands of arriving passengers and crews walk past him right before passport control at the south wing of Terminal One. Though they see a calmly seated man with two small suitcases by his feet, Feng views his action as a lonely protest. A handwritten sign next to him reads: “Stuck here is a Chinese citizen who exposed corruption, helped the poor and has been denied entry into China eight times by the Chinese authorities.”

Feng says he ran afoul of officials in his country for openly supporting the pro-democracy movement that was crushed in the 1989 Tiananmen Square crackdown. After studying and working in Japan in the 1990s, Feng returned to Shanghai – only to be sentenced in 2000 to three years in prison on what he called trumped-up charges of “illegal business activities.”

After prison he became a self-taught lawyer, advocating the rule of law and providing legal assistance to Shanghai’s underprivileged. His mild political stance, however, did not prevent him from becoming a troublemaker in the eyes of local authorities. Feng said he was pressured to leave China in April ahead of the 20th anniversary of the Tiananmen crackdown, but later realized the government had used the sensitive occasion to force him into permanent exile.

Now, at Narita, Feng has been confined to a sterile area with a small bathroom being the lone amenity — a sharp contrast to “The Terminal”, in which Hanks’ character camped in the international lounge, roaming the building for food and books, finding freelance work, and even falling for a beautiful flight attendant.

Feng sleeps on a narrow steel bench between 11pm and 5am – the only downtime at this commercial aviation hub. He survived the first few days on just water, hasn’t showered for almost a month and dearly misses his family in China.

“This is also a lifestyle,” Feng says with a smile. “It’s actually a lot better than prison – I was in solitary confinement back then.”

Despite the long and grueling days, Feng has settled into a productive daily routine. Equipped with a cell phone and a laptop, he writes, talks, blogs and tweets — sometimes even helps translate for connecting Chinese passengers.

Constant communication with the outside world keeps Feng aware of major current events, including President Obama’s recent visit to China. While many critics have faulted the president for being too soft on China’s human rights record, Feng said he appreciated Mr. Obama’s effort to raise the topic of online freedom in Shanghai.

“Obama shouldn’t bear the responsibility of improving human rights in China – he is the U.S. president, not the Chinese president,” he says. “My view has always been China’s problems have to be solved by us Chinese people.”

As reports of his plight spread, Feng has turned into an unlikely celebrity. Having received thousands of encouraging texts and email messages, he now boasts almost 5,000 followers on Twitter, who have launched a donation fund in his name. Supporters from around the world – including many airline crews – stop by to give him food and other supplies, prompting some complaints by airport officials over his ever-expanding “storage space.”

But even the usually stoic Japanese officials appear to have been moved by Feng’s passion and determination. They initially refused to help him buy any food from shops past the immigration checkpoint – now they turn a blind eye to his incessant phone calls in a no-phone zone and have designated an area in the terminal for media to interview him. (They still draw the line on videotaping though, repeatedly trying to stop CBS News from recording an interview with Feng on his bench.)

Feng says the outpouring of support has highlighted the power of civil society, and makes him feel abandoned no longer. His biggest source of inspiration, however, comes from his love for China, as well as his optimism for its future.

“China has a lot of difficulties and problems, but I’m still eager to return to my homeland,” he says. “This doesn’t make me brave — it only shows my confidence in China’s development, in the country’s laws and in the universal value of human rights.”

© 2009 CBS Interactive Inc.. All Rights Reserved.

Laoma Tihua

Who’s knocking on the door?

We’re all police.

Why are the cops breaching the door?

To see if you’re human.

Why are you breaking in?

To teach you a lesson, kid.

Why are you breaking in?

To teach you a lesson, kid.

Why are you beating me?

So what if I beat you!

Why are you beating me?

Who saw the beating?

Why are you beating me?

Speak with evidence!

Why are you beating me?

Do not fuck around.

Why are you beating me?

Never ever fuck around!

I don’t want to talk to you.

I don’t want to talk to you.

I don’t want to talk to you.

I don’t want to talk to you.

老妈蹄花

那是谁在敲门

我们都是警察

警察为啥砸门

要看你是不是人

为啥破门而入啊

教训你这个娃娃

为啥破门而入啊

教训你这个娃娃

你为什么打人啊

打你又怎么啦

你为什么打人啊

有谁看见了呢

你为什么打人啊

说话要有证据

你为什么打人啊

你可不要装神啊（你可千万不要装神啊）

我不跟你说了

不跟你说了

我不跟你说了

不跟你说了

Music video for Laoma Tihua by Ai Weiwei. Song by Ai Weiwei with music by Zuoxiao Zuzhou. Video by Ai Weiwei Studio. © 2013 Ai Weiwei.

From the forthcoming album, The Divine Comedy, everywhere Saturday, June 22, 2013.

Download Single + Video: http://aiweiwei.com/music/laoma-tihua